The Bar is open Wednesday – Sunday · Plan your evening
The Rooms
Every guest room is named for a composer and furnished to suit them: period antiques, musical artifacts, and the modern comforts you'd hope for.
In Every Room
Flat-screen televisions with Netflix, Hulu, and Prime Video included.
Complimentary high-speed internet throughout the property.
Each room is individually furnished with antiques and musical artifacts true to its composer.
A guest rooftop deck overlooking the rooftops of historic Over-the-Rhine.
No. 1
Wolfgang Amadeus Mozart · 1756–1791
Pull back the curtains and Music Hall fills the window. It's the room we save for guests who came to town for the symphony: a queen bed, period antiques, and a walk to your seat that takes about a minute.
No. 2
Ludwig van Beethoven · 1770–1827
The only room we call a suite, with a tall carved headboard and a 55-inch screen for the nights you'd rather stay in. There's a weight to it that suits its namesake.
No. 3
Johann Sebastian Bach · 1685–1750
There's an antique roll-top desk in here that does something to people. Bring stationery; you may leave having written someone a letter.
No. 4
Johannes Brahms · 1833–1897
Tucked at the quiet end of a corridor, with European antiques and a full bed rather than a queen. It's the smallest of the nine, and the snuggest.
No. 5
Franz Schubert · 1797–1828
Nothing flashy: a comfortable queen, good antiques, and the kind of quiet that lets you sleep in. Fast Wi-Fi and streaming come standard.
No. 6
Gustav Mahler · 1860–1911
The darkest room of the nine, done in heavy woods and deep blues. It reads as serious, a little brooding even, which is about right for Mahler.
No. 7
Sergei Rachmaninoff · 1873–1943
Romantic without the fuss: a queen, warm antiques, and a streaming TV for the slow end of the evening. When couples ask which room to book, this is usually our answer.
No. 8
Aaron Copland · 1900–1990
The practical one. A kitchenette with a mini fridge and microwave makes it the pick for longer stays, and the period antiques mixed with modern art nod to a composer who built new music from old American hymns.
No. 9
Amy Beach · 1867–1944
A stately four-poster queen sits at the center, antiques arranged around it. It's named for Amy Beach, the first American woman to win real acclaim writing large-scale concert music.
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